Casting Director · Cage Match Cannes · the order paper

FiveMotions

The debates Cannes 2026 should have held

Five hundred speakers came to Cannes. We boiled them down to five motions, each with a speaker for, a speaker against, and a House that votes it up or down.

5 motions 10 speakers the House divides · tap to see the vote
The Motion · what the House debates
For & Against · the speakers' cases
The Division · how the House votes
Results are predictions · tap to divide the House

A note on the verdicts. None of these debates happened. Each division is a prediction, our best read of how a room of Cannes delegates would actually vote, not a result. We've argued both sides as fairly as we can and called each winner honestly, but every one is a bet. Read them as an argument to push back on, not a scoreboard. If you'd vote the other way, you're probably right about at least one.

01Motion · The Machine

"This House believes AI can build a brand on its own."

The defining argument of the year, put to the House. For the motion, Demis Hassabis, who built the machine and believes it can now originate the work, not just assist it. Against, Marc Pritchard, who spends $10bn a year and insists a brand is the one thing AI can't make without a human. The man who built the future against the most powerful brand-builder alive, on one sentence the House must vote up or down.

Proposition · For
NOESDemis Hassabis
Google DeepMind · Co-founder & CEO
The Machine Can Make Meaning
Nobel laureate · builds the future
VS
Opposition · Against
Marc PritchardNOES
P&G · Chief Brand Officer
A Brand Needs a Human
World's largest ad budget · buys the future
The ClashHassabis's case: the machine no longer just assists, it originates, and a model that can generate a brand's voice, look and story can build the brand itself. Pritchard's reply: it can make a million ads by lunch and still not one brand, because a brand is meaning, and meaning needs a human to mean it. The House must decide what a brand is, and whether AI can make one alone.
Motion falls · Ayes 38%, Noes 62%
The House sides with Pritchard
Better case PritchardBolder claim HassabisThe Division Noes

Hassabis makes the bolder claim, and a year ago it would have sounded like science fiction. But "on its own" is the trap in the motion. The moment Pritchard asks who decided the brand should mean this and not something else, Hassabis has to admit a human still sets the brief, picks the winner, and says what it stands for. The machine builds; it doesn't yet choose. Pritchard doesn't deny AI's power, he just locates the one human job it can't take. Hassabis wins the future. Pritchard wins the vote.

Predicted division · extended from worldview
02Motion · The Law

"This House believes award-winning work never moves the masses."

The motion that puts Cannes itself on trial. For the motion, Mark Penn, the pollster behind decades of public-opinion surveys, who can show how little of this award-winning work actually moves the people it's meant for. Against, Sir John Hegarty, the BBH founder who has spent 40 years arguing that one great idea is worth more than any amount of data. Data against instinct, and the House must pick a side.

Proposition · For
NOESMark Penn
Stagwell · Chairman & CEO
The Populace
Polled nations · counts the public
VS
Opposition · Against
Sir John HegartyNOES
BBH · Co-founder
Precision Over Reach
40 years · moves the right few, not the many
The ClashPenn's case: the polling is brutal. The work this festival crowns may win the room, but it never moves the millions outside it. Hegarty's reply: moving the masses was never the job. Great advertising moves a specific audience with precision, and the best work is awarded because it does exactly that. The House must choose whether to judge advertising by how many it moves or how precisely it moves them.
Motion falls · Ayes 44%, Noes 56%
The House sides with Hegarty
Better case HegartyBest data PennThe Division Noes

Penn brings the better numbers, and they're real: most of this work never troubles the wider public. But Hegarty doesn't dispute the data, he disputes the target. Advertising was never built to move everyone, it was built to move someone specific, and the work this festival rewards tends to do that with rare precision. Penn proves the masses didn't notice. Hegarty proves they were never the point.

Predicted division · Penn's data is real, but the room buys the rebuttal
03Motion · The Soul

"This House believes a brand the world loves owes the world more."

Both speakers believe brand love is the most powerful force in marketing. They divide on what it demands in return. For the motion, Stella McCartney, who holds that love is borrowed trust, and the more you're adored, the more you owe. Against, Manolo Arroyo, who runs the most-loved brand on earth and sees that love as permission he's already earned. One treats being adored as a debt, the other as a reward.

Proposition · For
AYESStella McCartney
Founder & Creative Director
Love Is a Debt
Built devotion without the dirty shortcut
VS
Opposition · Against
Manolo ArroyoAYES
The Coca-Cola Company · Global CMO
Love Is a Licence
World's most loved · world's most audited
The ClashMcCartney's case: a billion people trust your brand, and that trust is a debt. The plastic isn't a footnote, it's a betrayal of the love itself. Arroyo's reply: Coke doesn't ignore that responsibility, it invests in recycling, reduction and reuse at a scale few companies attempt, and the honest question is whether that's enough, not whether the company cares. The House decides whether being adored is permission or obligation.
Motion carries · Ayes 71%, Noes 29%
The House sides with McCartney, decisively
Better case McCartneyHardest brief ArroyoThe Division Ayes

Arroyo makes the fair case: Coke acts on its responsibility, and few companies his size do more. It's a real argument. But McCartney has the harder answer. She built a brand the world loves without the plastic in the first place, which means "doing a lot" isn't proof of doing enough. Arroyo can show effort. He can't show her result. Arroyo says Coke does enough. The House decides it doesn't.

Predicted division · extended from worldview
04Motion · The Crowd

"This House believes audiences trust a creator more than any brand."

Not a fight about reach, but about trust. For the motion, Dhar Mann, whose viewers feel they know him personally, a closeness no media buy can manufacture. Against, Chaka Sobhani, who runs creative for one of the world's most awarded networks and argues a great brand earns a deeper, longer trust than a single person. The personal bond against the institution.

Proposition · For
NOESDhar Mann
Dhar Mann Studios · Founder
The Creator
Billions of views · a direct line to millions
VS
Opposition · Against
Chaka SobhaniNOES
TBWA\Worldwide · Global Chief Creative Officer
The Institution
Runs the craft · builds brands to last
The ClashMann's case: people trust a person, not a logo. His viewers believe him the way they'd believe a friend, and no brand can buy that. Sobhani's reply: a creator's trust rests on one person and their feed, while a brand's is earned by an organization delivering a product that works, day after day, for years. One is a feeling. The other is a promise kept at scale. The House decides who the public really trusts: the creator, or the brand.
Motion falls · Ayes 44%, Noes 56%
The House sides with Sobhani
Better case SobhaniSharpest point MannThe Division Noes

Mann has the louder truth: his viewers feel something for him no brand can buy, and he's right that it's real. But Sobhani has the deeper one, and it's about what the trust is built on. A creator's trust is earned in a feed, performance by performance. A brand's trust is earned by an organization of thousands delivering a product that works, every day, for years. One is a feeling people have about a person. The other is a promise kept so many times it becomes reliable, and a brand that stops keeping it goes out of business. Mann has the bond. Sobhani has the proof. The room votes for the proof.

Predicted division · the rare night the room is simply right
05Motion · The Operator

"This House believes data always beats culture."

Two CEOs who made opposite bets with real money. For the motion, David Sandström, who rebuilt Klarna into a factory that runs AI for 80% of its copy and trusts the numbers over any hunch. Against, Richard Dickson, who bet Gap's whole turnaround on cultural instinct no dashboard would have backed, the Young Miko campaign, the Victoria Beckham return, the choreographed denim, and moved both the stock and the culture. Data against the gut, settled by one vote.

Proposition · For
NOESDavid Sandström
Klarna · CMO
Trust the Numbers
80% AI copy · the data doesn't lie
VS
Opposition · Against
Richard DicksonNOES
Gap Inc. · President & CEO
Trust the Culture
Bet $15bn on instinct, and won
The ClashSandström's case: instinct is unreliable and expensive, the data is right far more often than any director's gut, and a model that watches a million choices knows the audience better than a person ever could. Dickson's reply: no dataset told Gap to bet on Young Miko, because data can only rank what already exists, and his turnaround came from a cultural read the numbers would have killed. The House decides whether the gut still beats the machine when it matters most.
Motion falls · Ayes 43%, Noes 57%
The House sides with Dickson
Better case EvenSank the motion DicksonThe Division Noes

Sandström makes a strong case, and most of the time he's correct: data does beat instinct, and the AI factory he built at Klarna proves it. But the motion says always, and that single word is what sinks him. Data can judge an idea, but it can't dream one up, and Dickson's Gap turnaround came from an instinct no numbers would have supported. One exception is all it takes. In a boardroom the motion carries. In this room it falls.

Predicted division · a boardroom would vote the other way